band that evolved out of surf rock into a psychedelic pop sound, led vocally by Mark Volman and Howard Kaylan, the amazing weirdos who would later become Flo and Eddie. I believe it when you say you really do love this person, but why you gotta always sound so sad? The Turtles, “You Showed Me” Lana’s “West Coast” sets up a similar disunity between form and content, another love song that sounds more like a breakup song. “And I Love Her” is supremely melancholic, particularly for a love song. Lennon and McCartney both did agree that “And I Love Her” functioned as a kind of dry run for “Yesterday,” sharpening Paul’s writing skills as a balladeer. John Lennon claimed to Playboy that he kicked in the middle eight himself, although Paul disagrees. “And I Love Her” was authored primarily by Sir Paul McCartney. “West Coast” steals … er … samples, no … interpolates (that’s it!) the opening riff from the Beatles’ 1964 song “And I Love Her” for the beginning of its slower-tempo second section. It’s meant for swaying on balconies, lounging in beds, and driving real slow. Here are some of the songs I thought about during my first few listens to “West Coast,” all of which got me even more excited about the prospect of Ultraviolence. Like Lana’s first breakout song, “Video Games,” it isn’t intended for raging at the clob. (Side note: Is she singing about Megan Draper?) “West Coast” shares musical DNA with a lot of songs that qualify for the highest West Coast title of honor: low-rider oldie. Singing about leaving a lover for the Californian promise of fame, Lana sounds more sinister and sensual than ever. It’s a logical evolution of her prior sound. The song deviates from the winning formula Del Rey invented and then burnished with Born to Die and its Paradise edition, without fully shedding her old skin.Īs with all Lana songs, the lyrics to “West Coast” are both incredibly specific and obstructively vague, and here their dreamlike quality complements the druggy instrumentation. The result is “West Coast,” a four-and-a-quarter-minute spell produced by Dan Auerbach from the Black Keys. A song that leaked recently, called “Meet Me in the Pale Moonlight,” turned out to be four years old, and Lana promised her new music would sound nothing like any old demos. This weekend, Lana Del Rey finally dropped the first single from her upcoming album Ultraviolence, after teasing fans with Sunset Strip billboards and incomplete first couplets.
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